February 2008

In other words

A finger rolled out from under the sofa

By: Joanne Campbell

How true northerners avoid boredom

When a non-“true northerner” pulls up stakes, they often do so with the disclaimer “It’s a nice place to visit but I can’t live here: there’s nothing to do.” Then they move back to the city where there’s lots to do: theatre, concerts, sporting events—all those interesting things one “does” in the city (but not including commuting three hours a day, or wondering whether your neighbours are terrorists or mafioso—or possibly even political aids). After all the time many city folk spend fuming and worrying, just watching any form of entertainment is, frankly, a relief (not to mention more time-efficient than actual participation).
Up north we don’t have as much access to professional entertainment as those who live down south. But that doesn’t mean we have nothing to “do.” Any semi-creative person can be up to their funny-bones in culture, if they so choose. No live theatre coming to town? If you can act, direct, produce, run lights or sound, build a set, sew costumes, or sell tickets you can help rectify the situation. No concerts on the horizon? Sigh…I guess you’ll have to make your own music. What, you can’t play? Find someone to teach you. Then book a coffeehouse and make some music. Put on a dance—people will come. They’ll probably even help you make and distribute the posters.
Another way to make your own fun includes writing (though hopefully not until your fingers drop off).
I’ve participated in writing clubs in Prince George and Smithers, and the usual pattern was the same: we’d gather our written work and our egos together once a month and take turns reading and gently critiquing what we had written. The Smithers group even put on a couple of writers’ coffeehouses and published a chapbook.
There are many active writers groups in the North and I’m pretty sure they attend meetings for the same reasons we did. Some writers came for the feedback; these were serious writers who wanted their work dissected, with annotated suggestions for improvement. Some came for the entertainment—writers who can make you laugh, make you cry, or make you laugh ’til you cry. Some—(OK, me)—came for the exercises (and if liking to play literary games makes me a nerd, then I’m OK with it).
One of my favourite games from the Prince George club was one we played between meetings. The group would pick a genre, such as murder mystery or sci-fi. After the meeting, a designated starter contributed an opening sentence, such as “The finger rolled out from under the sofa.” They then emailed it to the next writer, who added a sentence and passed it on further. Usually this concoction went around until it stalled because the next writer in line went on holidays, was hospitalized, or embarked on an international book tour. The results were far from professional, often far from literary, but the exercise was fun and certainly never boring.
This writing exercise works as a metaphor for the creative process that happens in northern communities. Someone has an idea—it catches someone else’s imagination, they add to it, others jump in and before you know it, you have a…a thing of some description: a satisfying collaboration, entertaining in many ways—sometimes it’s good enough to share with others who don’t even know you (and, therefore, less inclined to be forgiving.)
The children of these creatively active adults benefit from being immersed in a do-it-yourself cultural world. Their parents, having had their fingers in many creative pies, are acutely aware of the value of an arts education (lessons in dance, voice, band, drama—the list is as long as available time and the family income will allow—and sometimes then some). Ironically, these kids sometimes grow up and become creative professionals—acting, writing, making music, dancing—creating the shows that city folks “do” for their entertainment. If we’re lucky, they eventually come home and pass their expertise on to our children, further enriching the northern soil in which so much talent grows.
That we have the ability to influence—or even initiate—change is empowering. In a city, it’s easy to passively accept or reject your environment. Up here, true northerners really can…and do…“just do it.”

Your Comments on In other words

  1. Dear editor,
    I wish to share my profound disappointment concerning the last “In other words” article. The author defines the cultural scene of northern BC in opposition to what is found in the city, making the statements “negative proofs”, i.e., weak arguments.
    It is painful to read the author’s judgement on city life, citing that people worry about their neighbours being “terrorists or mafiosos” or referring to a 3 hours commute. Originally from Montreal, where cultural diversity reigns supreme and commands tolerance and respect, I have never feared my neighbours… until I moved to Smithers. I have never seen that many fundamentalist Christians (except in documentaries) promote so freely their beliefs. As for the 3 hours commute, I am afraid this doesn’t apply to city dwellers but to people who live in suburbs. I have to advocate that the city, as I know it, is a bottomless source of culture of any kind and of any levels, and an extremely fertile ground for kids and teenagers to grow creatively. Although, I do not feel the need to compare such two opposite environments (remote areas vs. cities), simply because there are no common denominator to allow such comparison. Given that your paper is my favorite publication since I moved here, I hate to say that I found this article insulting and extremely condescending. I am sure you are capable of better.
    Marie-Lou Lefrancois

    By: Marie-Lou Lefrancois
    15 February 2008

  2. Marie-Lou,

    Thank you for your comments; they give me a chance to clarify.

    The editorial wasn’t meant to be a comparison of the quantity or quality of culture in cities versus the north. It was about individual participation in the creation of cultural products vs their consumption. Obviously northern and rural sites don’t have access to the same cultural facilities as those who live in metropolitan areas. Cities are cultural epicenters and, as I alluded to in the editorial, magnets for creative people born and raised in our culturally hands-on local environments.

    People in our part of the world create cultural events for themselves, partly because we don’t have ready access to cultural professionals and the venues they prefer and partly because we love doing it. I find that—in general— people in urban centres consume culture. They don’t create it. It’s our northern spirit of cultural creation and participation that I was celebrating in the editorial. If that didn’t come through, I’m glad you gave me this opportunity to clarify.

    My comments about the three hour commute, and terrorist neighbours wasn’t meant to be taken literally; it’s was simply a case of the cultural underdog poking fun at the big dog.

    I think most northerners would agree, it’s wonderful to get away occasionally to Vancouver or Toronto or Montreal (I love Montreal) and sit in the audience for a change. It gives us ideas for projects to tackle when we get back home.

    By: Joanne Campbell
    16 February 2008

  3. I would say that your general assumption that culture is consumed and not created in urban areas is somewhat disconnected.

    By: Marie-Lou Lefrancois
    17 February 2008

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